Escuela de internacional de investigación artística UNAL UDEC 2020. Segunda jornada. (28,29 y 30 de septiembre)

The University of Cundinamarca and the National University of Colombia are pleased to invite you to the second day of the UNAL UDEC 2020 School of Artistic Research.

Tal como en la pasada jornada, la escuela se desarrollará en tres días a través de la modalidad de seminarios on-line. En esta ocasión contaremos con la participación de maestros y egresados de la Maestría en Artes Vivas de la Universidad Nacional de Colombia. De igual forma, estarán acompañándonos nuevamente como profesores conferencistas invitados de la Universidad de Aveiro- Portugal, así como estudiantes del programa de Doctorado en música de esta institución.

As usual, we extend the invitation to all interested parties; registration is free. The connection link will be sent to registered participants' email addresses one day before the event begins. All sessions will take place from 9:00 AM to 1:00 PM Bogotá time.

Below, we describe the schedule of activities and the profile of the guest professors who will be joining us from the Master's Program in Live Arts at the University of Colombia and the University of Aveiro.

28 de septiembre de 2020

Presentation by philosopher Adriana Urrea and artist Rolf Abderhalden of the theoretical-poetic corpus and the concept of Thought/creation in the Live Arts.

29 de septiembre de 2020

Presentation of the thought/creation processes of three musicians who graduated from the Interdisciplinary Master's Program in Theatre and Live Arts at the National University of Colombia: “gestures and traces” (Live acts and Master's thesis).
9 am to 10:15 am: Maestro Leonardo Donado (Pianist, composer).
10:15 to 11:30 Master Mateo Mejía (Guitar, Movement, sound).
11:30 a.m. to 1 p.m.: Teacher Juanita Delgado (Singer, performer, composer).

30 de septiembre de 2020

Presentaciones a cargo de los Maestros Jorge Salgado Correia, Gilvano Dalagna y estudiantes y egresados del programa doctoral en música de la Universidad de Aveiro.

RESEÑAS:

Adriana Urrea

She is a philosopher by training. She has taught in the Interdisciplinary Master's Program in Theater and Live Arts at the National University of Colombia in Bogotá and Barranquilla, in the Faculty of Philosophy at the Pontifical Javeriana University, and currently at the School of Arts of the Central University of Bogotá. Her work moves between the Live Arts, Philosophy, Literature, and Caribbean thought, from a decolonial perspective.

Rolf Abderhalden

Transdisciplinary artist, Professor at the National University's Conservatory of Music; Art therapist from the School of Advanced Social Studies in Lausanne (Switzerland); Master in Theatre from the Jacques Lecoq International Theatre School (Paris);
Master in Visual and Plastic Arts from the National University of Colombia; PhD in Aesthetics, Sciences and Technologies of the Arts (University of Paris 8). Rolf Abderhalden, transdisciplinary artist, Professor at the Conservatory of Music of the National University; Art therapist from the School of Advanced Social Studies of Lausanne (Switzerland); Master in Theater from the International School of Theater of Jacques Lecoq (Paris);
Master in Plastic and Visual Arts from the National University of Colombia; Doctor in Aesthetics, Sciences and Technologies of the Arts (University of Paris 8) in the arts.

Jorge Salgado Correia, Universidade de Aveiro/INET-md, Aveiro, Portugal

A graduate in both Philosophy and Music, Jorge earned his soloist diploma in the Netherlands, specializing in Contemporary Music (Flute). Concurrently, he studied Aesthetics and Philosophy of Music at the University of Amsterdam and completed a PhD at the University of Sheffield, UK. He is currently an Associate Professor and Head of the PhD Program in Music at the University of Aveiro, where he coordinates the “Creation, Performance, and Artistic Research” group within the INET-md research unit.

His research has been published in Oxford University Press, the Journal of Aesthetic Education, Research Studies in Music Education, and Psychology of Music, among others, and he is the founding editor and coordinator of ÍMPAR – Online Journal for Artistic Research. As a flautist, he has participated in international music festivals, premiering many works dedicated to him, and is a founding member of PERFORMA ENSEMBLE, having recorded several CDs with Numérica, Phone Edition, and other labels. Jorge is president of the Portuguese Flute Association (APF) and a member of the European Flute Council (EFC).

Gilvano Dalagna, Universidade de Aveiro/INET-md, Aveiro, Portugal

Gilvano Dalagna es profesor asistente invitado en el Departamento de Comunicación y Arte de la Universidad de Aveiro. Tiene un doctorado europeo en estudios de música/interpretación (con honor y distinción) de la Universidad de Aveiro (período de Erasmus en el University College de Londres/Instituto de Educación). Completó un BMus (guitarra clásica) en la Universidade Federal de Santa Maria y un MMus (interpretación musical) en la Universidade de Aveiro. Tiene experiencia en la investigación del análisis musical, la interpretación musical y la música contemporánea para guitarra. Actualmente, su investigación se centra en el desarrollo de la carrera de los intérpretes y en la investigación artística. Gilvano está investigando modelos educativos para apoyar el desarrollo de la carrera en las artes escénicas.

Su experiencia como investigador incluye el dominio de metodologías colaborativas, el desarrollo de modos pedagógicos para la investigación artística en la educación musical superior, el dominio de métodos cualitativos de colecta y análisis de datos y, finalmente, el uso de estrategias digitales para difundir el conocimiento producido en las artes. Ha sido invitado a dar conferencias sobre diversos temas relacionados con la música y la investigación en las universidades portuguesas.

In 2014, Gilvano created the Artistic Mentoring Program (AMPMP), a complementary approach to teaching musical performance in higher education based on integrating career management and artistic development. Alongside his work as a researcher and mentor, Gilvano has also pursued an active career as a performer (multi-instrumentalist) and composer through his group Atma Kirtana. In this artistic research project, he has explored the fusion of North Indian musical practices, Western art music, and folk music.

Certifications

Certificates will be issued and sent out during the last week of October and will detail the number of hours completed, taking into account participation in both sessions: the session held on August 10, 12, and 14, and the session held on September 28, 29, and 30. Those who only registered for one session will only receive a certificate for that session.

Enlace para inscripción:

https://forms.office.com/Pages/ResponsePage.aspx?id=oGfaB0MfjE6Xf1-ItkcO5nedWcEPzQRLroy4syZAbhVUNVEwWVFSNEtUNlVZSjJINkZKNFhJQVRKOS4u

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